This is a person in our neighbourhood...



THIS IS
SAM CAVE

Click here to read about Sam







 

Variations on the theme of old hotels and the people that frequent them

I Saw

This Week on Stillepost

Get Yourself Some Confiscated Goods Cheap!

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THE GLADSTONE VARIATIONS
at THE GLADSTONE
SUN-FRI 7PM until AUG 3
MON JULY 28 at 1:30PM
TICKETS : artsboxoffice.ca
TEL: 416-504-7529
Only 10 dates left. Don’t miss it!

NEED LAST MINUTE PLANS FOR TONIGHT?
KING KHAN & HIS SHRINES
“KING KHAN was effen amazing…” says a rocker on the band’s gig last night.
Catch them tonight, July 24 at either
SONIC BOOM at 7PM in-store free show!
HORSESHOE TAVERN doors at 9ish


CLARA IN THE PINES
An installation by Yuula Benivolski
XPACE CULTURAL CENTRE
Aug 1 to Aug 30, 2008
Closing reception: Saturday Aug 30, 2 to 6 pm

Clara in the Pines is an installation of five life-size dummies that strongly resemble the artist within constructed domestic and forest settings. Benivolski's work questions ideas of identity, displacement, family and community. This installation is inspired by The Sandman, a short story by E.T.A. Hoffmann about a man who falls in love with an automaton. The tale climaxes with the terrifying revelation of the woman's real identity, resulting in the man losing his mind.

58 Ossington Ave
Toronto
Tues - Sun / 12-6
www.xpace.info

TORONTO ARTS COUNCIL GRANT DEADLINE COMING! AUGUST 1! DO A PROJECT! PAY SOME ARTISTS!
Project grants for organizations, collectives and individual artists in community arts, dance, literary, music, theatre, visual/media arts are available for the taking. Check out the organization’s website for more information.

 


 











The full title of the painting which inspired our magazine title is Homo sapiens, Lepidium sativum and Calliphora vomitoria - a wise man, some cress, and a bluebottle. It is the work of British artist Stuart Pearson Wright.

"At the end of the first sitting, the Prince inspected the work and exclaimed 'godzooks' or 'godzounds', the artist was too alarmed to remember which."

www.guardian.co.uk
Friday, July 25
2003